The divine, the void, the infinite

108 Circles for Radical Fields

Installation and durational performance

In March 2024 I attended the first Radical Fields Harvest event at Lyonbank Farm. A highlight of the day was participating in the Zen Walk led by Kynan of Castlemaine Zen. As we collectively meandered our way across the open field, in attentive silence, I felt akin with the group of strangers I walked with. We descendent into the gully and sat under the Manna Gums, Kynan ringing 108 bells whilst we tended to our awareness of the nature around us.

108 is an interesting number, with many references across numerology, astrology and Dharmic religions. Such as- the 108 sensory states one can experience; the 108 energy lines and pressure points in the body; and the relationship between distance and ratios of the sun, earth and moon.

A certain aspect of Indian cosmology defines the number 108 as the basis of all creation. The number one represents divine consciousness. Zero indicates null or void implying that everything on this Earth is only temporarily. Eight represents the infinity of creation.

This collective state of being cultivated during the Zen Walk, and a deep awareness of our connection to nature, is something I also strive to realise within my creative and community practice. The circles, like a Zen Enso drawing, are a meditation on the infinite and cyclical nature of life. Red represents ritual, prosperity and purification.

I find meaning through process- by mindfully sewing these 108 circles I am making an offering back to Radical Fields and the local community for embracing me during my residency.

With thanks to:

  • Radical Fields- Ryan Kennedy, Gav Barbey and Anthony Sawrey

  • Brian Bainbridge- Hepburn Springs Biodiversity Officer

  • Landholders of Lyonbank Farm

  • Kynan Sutherland of Castlemaine Zen

  • Sisters of Stream Entering Monastery

  • Paul Mason- artist & farmer

  • Glenlyon Hall and Progress Association

  • Cellarbrations at Foxxy’s (45 Vincent Street window front donors)

This project was made possible by the Australian Government Regional Arts Fund, which supports the arts in regional and remote Australia.

Photos by Anthony Sawrey

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